Quote // Mickey Drexler

Food for thought, pun intended!  My favorite quote from J. Crew CEO Mickey Drexler's interview with Slate.com:

"If Drexler wanted his meatballs on his pizza, he would have ordered them that way. He didn’t, partly because he doesn’t believe in confusing things: food or fashion, you need to be clear about what you stand for."

I completely agree with this statement, though I think it is worth elucidating that opting for a genuinely eclectic style is still a distinct point of view in and of itself.

Talk about food and fashion, here's a Jeremy Scott throwback to a collection that quite literally embodies both (and meatballs, to top!).

Find out Why Fashion is Like Pizza, according to the CEO of J. Crew via Vanessa Friedman for Slate.com.  Ms. Friedman is the Fashion Editor for the Financial Times, for which she also writes a blog.

Samantha Sleeper // An Exclusive Interview!

Out of our darkest and most trying moments, often arises our most beautiful and creative accomplishments.  As with many of us, this has in more ways than one been the case with New York based fashion designer, Samantha Sleeper.  Here is an industry where not only do the best alone survive - the best entails a wildly inimitable combination of talent, technique, heart, and guts.  

Born with the hands of a goddess, the eyes of an extraheavenly Creator, and a mind as sharp and deep as Everest is high, this left Samantha with one-down-three-to-go as of her birth in 1987.  Graduating second in her class from Parsons in 2009 with work experience at one of the oldest couture lace factories in France under her belt is enough to say she achieved the training and expertise in technique.  

So what about the heart and guts?  Here's the firsthand word of Samantha on the subject of her passion, inspiration, and the courage it takes to make a mark.

EM: When did you decide you wanted to become a fashion designer?
SS: I decided I wanted to be a designer when I was 8... flipping through Vogue while my mom was getting her hair done on Oak St. in Chicago.  At 11 I visited Parsons and FIT and chose my future school!

EM: With age, experience, and exposure, how has your inspiration evolved over time? 
SS: A lot of inspiration stays consistent season to season, like the Bauhaus.  Growing up in Chicago, I was surrounded by Frank Lloyd Wright and Mies Van Derroe buildings which undoubtedly formed my design point of view.  I find inspiration everywhere; a lot of times it comes from an emotional place, a dream... There's an underlying darkness in the "story" that's created for each season; an impending doom, or the possibility of something not being quite right, but then it's resolved by having really beautiful surprises.  Lots of quiet, elegant moments thrown in.  My inspiration has evolved to include a lot of other artists, painters, and architects.  Historical costume references and textures.

EM: To whom do you aspire most?
SS: I aspire to be like my mother, to build a business like Ralph Lauren and retain artistry like Lee McQueen.

EM: What is one of the most important lessons you learned during your time at Parsons?
SS: At Parsons I learned discipline, and to show up on time!  (I'm still working on that one).  And to work extremely long hours on little sleep.

EM: Can you recount the conceptual inspiration you explained in the design of your first collections out of college, for the label N PRPA? 
SS: For the launch of N PRPA, I had a dream of a girl who lived in a post apocalypse world and she had these flashes of memories: manicured lawns, housing complexes.  She turned these flashes into a vocabulary of texture, and armed herself with it, wearing it on her sleeve.

EM: What's the story behind your debut eponymous collection?
SS: This season I was inspired by Rothko, Jasper Johns and the nostalgia of a classic American summer.  The color palette stayed true to the red white and blue with pops of firework color.  There is a great balance of hyper feminine dresses and handsomely tailored separates, playing to the duality of women as well as creating aspirational and utilitarian pieces.

EM: Admitting there's no right answer to this difficult question, what do you feel has been your greatest professional accomplishment thus far?
SS: It's been two years since I graduated and there are very different highs.  Seeing my work on the cover of Women's Wear Daily or on a celebrity provides one sense of accomplishment, but I think the greatest high is acquiring a list of stockists that you love.  It's thrilling knowing that real women will have the possibility of wearing the pieces, and with each new store, the line gets exposure to a whole new group, and that I'm very thankful for.

EM: When it comes to building a wardrobe, what's your philosophy?
SS: When building a wardrobe, I think having incredible accessories is so important.  Pieces that carry you from season to season and are a true reflection of your personality.  Then there are key pieces every downtown girl needs, like a motorcycle jacket.  Ultimately its about having an authentic personality.  If you are confident and happy, you'll be radiant in what ever you wear.

Below some images form Samantha Sleeper SS12:

Here, view the complete Samantha Sleeper SS12 Collection.  You can also check out her complete website here.

The Cultivate has published a few wonderful articles - plentiful of collection and backstage photos - on Samantha Sleeper: her ideals, her career, and her collections... All definitely worth checking out.  On her design techniques, her background, and her MO: The Cultivate introduces Samantha Sleeper.  On her SS12 presentation, complete with backstage peeks: Samantha Sleeper SS12 Presentation.  "The Cultivate is a platform providing access to cult brands and the designers behind them. Discover and Own. (thecultivate.com)"

SS12 Recap // Greatest Text of All Time

"Indigenous prints just won't quit-at Margiela and others. Kanye west show looked like Herve got in bed with Bebe and Baby Phat- some good ideas but nothing a woman wants to wear. The shoes were musts-they were Giuseppe. GIVENCHY continues their hot streak with camel colored everything. Color blocking popped up here and there and will for sure be a mini trend. Galliano was safe, lady like and boring and archival in nature. In general, 50s silhouettes are back. Lots of metallic in accessories. Balmain brought me to tears: new guy nailed it. Balenciaga looks like lego clothes and manish arora looked wearable for the first time in years. Ann demuelemeester is, forever and always, the cool kid- perfectly blending great gatsby with goth sensibilities. Obsessed. Tassels and fringe are having moments. And everyone needs to watch out for this awful chartruese/mustard color that they are pushing HARD. EVERYWHERE!  Will undoubtedly make all white people and asian people look like they have jaundice. Ok. Night."

Sent via a dinosaur phone, this is, without a doubt, the best text message I've ever received.

Model as Muse // Less is More

Photograph by Irving Penn (American, born 1917).  Lisa Fonssagrives-Penn in Cristóbal Balenciaga Mantle Coat, Paris, 1950; as featured in Vogue, September 1, 1950.  There is something about this photograph that I absolutely adore.  The drape and weight of the fabric looks irresistible... a piece I would love to own on a brisk autumn day in Chicago.  The manner in which Ms. Fonssagrives-Penn poses, with her body turned slightly away from the camera, and her neck and head craned elegantly toward the center, not only compliments the design interest of the garment, but adds an air of sophistication and poise that contrasts the unstructured simplicity of the design.  Rather infrequent I find nowadays a photograph where the model's presence is a complimenting accessory to a garment, which serves as the focal point.  Kin to Balenciaga's preference for simplicity in design technique, Penn's photograph here shows that, without a doubt, less is more.

Another photograph from possibly the same issue of Vogue in 1950 (I know this much for sure), also Lisa Fonssagrives-Penn photographed by Irving Penn, this time in Christian Dior.  I am inappropriately obsessed with the magnitude of this collar. The position of her feet in a transitioning pose and her smile peaking from behind the collar capture perfectly her charisma.

Florrie // "Experimenting with Rugs"

If my style and my best friend, Nasu, had a baby, it would be Florrie in this video.  Love the editing, love the hair and makeup, love the styling, just plain loving Florrie.

Louis Vuitton // FruitStripe Zebra

While getting my dose of Vogue Daily, I came across a pair of shoes for which I swooned:

I am enamored by the sense of levity exuded by these jaunty numbers - not to mention the prospect of mirthfully stepping out of a cab in these lovelies. Needless to say, these Fruit Striped Zebras from Louis Vuitton SS11 now grace the wallpaper of my BlackBerry.  You can see more of Phil Oh's street style snaps from summer market for Resort 2012 collections in the Vogue Gallery.  Also consider checking out his street style blog, Street Peeper.

Wait, back up a second... "Fruit Striped Zebras," you say?  Yea.  Remember this?

 If you don't remember Fruit Stripe gum, it is either because you weren't a kid, or didn't have kids, or grandkids, or didn't babysit, and maybe just didn't own a television, in the mid '80s and through the '90s.  It was fruitier and more sickeningly sweet than Juicy Fruit, and the time for which it took the gum to loose all its malleability and feel like a rubber ball in your mouth was about a tenth of what would be considered the norm in sugar-loaded gum.  But damn, that gum was sexy.  The pack was tantalizingly multi-colored, the gum itself had colored Zebra stripes corresponding to the flavor of the stick, and best of all, it came with tattoos.  From what I can remember, these lasted about as long as the flavor of the gum.  Oh memories...

Back on track, these Louis Vuitton Zebra heels are available for sale in a gold/deep red/merlot color palette, as seen on Emma Watson.  However, as much as I do enjoy the stylings of Miss Watson, I personally prefer the heels in the FruitStripe "magenta" color combo.  And, unlike the quickly fading flavor of FruitStripe gum, I could enjoy these here and there for years to come.  Throwback thrown forward.

Dear Miroslava Duma,

Teach me how to get to where you are at the age of 25.  I've got one year to the week to catch up to you!

 Miroslava "Mira" Duma, at the mere age of 25, has a boasting repertoire as a young female, first and foremost, but thereafter, a writer, style icon, humanitarian, and even a mother!  A former editor of Harper's Bazaar Russia, and currently a freelancer for various publications in Russia, this explains why she is constantly photographed at various fashion weeks around the globe, and for style blogs such as Scott Schuman's The Sartorialist and NY Magazine's fashion blog, The CUT.  You can see a day to day montage of Miroslava's style on her own Look of the Day blog portion here: Buro 24/7 // Look of the Day.  Miroslava also founded a charity fund called Mira's Planet, or Planeta Mira.  Much to my dismay, I am only able to find a link to this organization that is entirely in Russian.  If you can read Russian beyond the twenty or so words I know only how to speak, you can read about Planeta Mira here.  

In case all this talk about Mira's coveted style, beauty, and success is having you feeling a little overwhelmed with envy, I will provide you with a telling sample of the words I know in Russian, in hopes of reassuring you that not everyone is as amazing or cool as Mira.  Sour cream, or сметана, pronounced "smee-tana"; I love you, or я люблю тебя, pronounced "ya lyu-blyu tebya"; bitch, or сука, pronounced "suka"; good-bye, or до свидания, pronounced "do svidaniya"; sausage, or колбаса, pronounced "kolbasa."  

Mira, if you read this, please note... I am not asking that you sophisticate me in Russian, I am happy to stick with my current Western/romance language arsenal for now.  Spasibo and pakka!  (Thank you and [informal] bye!)

"Sunshine" and Rhythm // my dream feat. Rye Rye and M.I.A.

I can't help but think I would have much better rhythm if this was my playground beyond the first few years of my childhood. I am proud to say, though, that I currently own, or have owned, a version of almost every article of clothing and accessory featured in this video. Safe to say that where I missed out on acquiring enviable rhythm, I compensated with more than enough late '80s / early '90s prints and gear. The one thing I do not own, and although I probably would never wear it, I'd like someone to own it: M.I.A.'s shirt that says "Fuck Google, Ask Me." She's a bad ass, and Rye Rye is totally adorable. What else can I say?